Photo 2021 09 27 12 34 36
posted: 27/09/21 14:37


We are crowdfunding to take the NO NEW WORLDS sculpture to COP26 in Glasgow in November and need your help to make it happen

IMG 6056
posted: 20/05/21 16:52

New Solo Exhibition by Léonie Hampton opens at RAMM Museum 18th May- 5th September 2021

Commissioned to complement the touring exhibition Seedscapes: Future Proofing Nature, Léonie Hampton’s body of work engages directly with the ecological emergency through a series of photographs that celebrate her vegetable garden, her family and friends, and the seeds in the collections at RAMM, Exeter. The exhibition is runs from 18 May to 5 September 2021. See here for more information.

Melinda and steph
posted: 24/11/20 10:15

Event: Indigenous Artists Panel

Still/Moving and Survival International in partnership with Dr Stephanie Pratt and Melinda Schwakhofer, invite the artists Cannupa Hanska Luger, Candessa Tehee, Ian Kuali’i and Jules Koostachin to discuss the complexities of the 400 year Mayflower history and their individual artist practices, in a panel chaired by art historian Dr Stephanie Pratt.

When: Tuesday 1 December 2020 At: 16:30 – 18.00GMT

Free Eventbrite link: CLICK HERE

During the month of November we have created multiple spaces for indigenous voices to be AMPLIFIED. Please submit a short quote responding to: ‘Tell us what the history of the Mayflower means to you.’ By following the links below or emailing us directly on these will be added to the NO NEW WORLDS tags which are written and tied to the sculpture in Plymouth UK, and posted through social media: /StillMovingCIC & @StillMovingCIC

Through the Survival International Map:

Top banner for email large MPH
posted: 11/11/20 17:43

Still/Moving IN CONVERSATION: Dr Stephanie Pratt and Survival International this FRIDAY

Marial Quezada from Survival International, Sam Maltais, (Aquinnah Wampanoag), Dr Stephanie Pratt (Dakota) and Still/Moving will discuss the current campaign, #Mayflowers Kill. This conversation will introduce November’s Native American Heritage Month, and reflect on the place of NO NEW WORLDS and other artworks within commemorative programmes such as Plymouth UK’s Mayflower 400 Commemorations.

When: Friday 13 November 2020 At: 16:30 – 17:30 GMT

Free Eventbrite link:

Speedwell Still Moving 6586
posted: 12/10/20 11:33

Speedwell 'Starter Tower' Talks Program

Throughout the duration of Speedwell's installation on Mount Batten Breakwater a series of 'in conversations' will be held between Still/Moving and invited speakers to discuss some of the themes raised by the project. The talks will be live-streamed online. Click here for a full list

Next up: Still/Moving IN CONVERSATION: 'Connections' with Marianne Brown 16.10.2020 @ 13.00

posted: 25/09/20 11:28

' hold me beside you ' A Site Specific Installation at Plymouth Art Weekender, 24 -27 September 2020

hold me beside you is a unique installation by Still/Moving for this year's Plymouth Art Weekender: 24 -27 September 2020.

The 2-metre distanced illuminated words respond to the experience of the COVID-19 pandemic. The site-specific installation explores the tension of proximity and risk in the physical structure of the Plymouth Citadel’s former gunpowder store. Originally created for The Box's 'State of Emergency' micro commission the words have been reconfigured to magnify our state of isolation and our dependence: our need to keep distanced, coupled with our longing for interconnectedness, revealing a shared vulnerability in the face of the unknown workings of the virus.

The work hangs on the north wall of Duttons Cafe, located above Elphinstone carpark which is one of the best places to see Still/Moving's other project Speedwell, on the Mount Batten Breakwater.

Speedwell Still Moving 6493
posted: 07/09/20 15:38

Speedwell is Live!

Speedwell is exploring the idea of 'no new worlds'.

For the settlers on the Mayflower who felt they were sailing to a new world, it was a world that had been inhabited for many thousands of years by indigenous peoples who were greatly impacted by the arrival of the Mayflower and subsequent ships that followed.

We wanted to challenge that idea and to uncover previously overlooked stories of the Mayflower sailing but also to remind people that we only have this world and we need to look after it.

Come and add your voice to the structure either by filling in a tag with one of our volunteers or by adding your voice on our text and audio link

Speedwell's Poignant Message - Plymouth Herald

Re-Informed on the Mayflower 400 website.

94 EEFE8 F 7742 4700 B07 C 7 AB84737 D3 DB
posted: 29/08/20 08:30

Speedwell, A Mayflower 400 Commission to Open on 4th September 2020

Speedwell, a large scale light installation funded by Plymouth Culture and the Arts Council, will open on Plymouth's Mount Batten Breakwater at dusk on 4th September 2020. Currently under construction it can be clearly seen growing on the horizon from the Hoe and the Barbican. See Speedwell Project page for more info.

Still Moving Rogers Wholesale 0200
posted: 19/08/20 11:30

'touch' by Still/Moving, "A State of Emergency Commission" by The Box, Plymouth's new Museum

Still/Moving have been awarded a State of Emergency Commission by The Box, Plymouth's new museum, art gallery and cultural centre. The project titled 'touch' explores the two metre distance of safety forced under the pandemic regulations, a distance which paradoxically shows care through remoteness while enforcing isolation, yet in cases of coercion, hides from view those subject to a cruelty of touch.

The work explores these spaces, navigating from the distance of the horizon to the proximity of the home; the local. Moving through levels of intimacy and forms of touch from the caress of a lover, the lifting of a child to sharing a companionable proximity, the phrases ‘HOLD ME’, ‘TOUCH ME’, ‘BESIDE ME’ will be created using a low voltage LED technology.

The Box will open to the general public on Tuesday 29 September

Leonie and Kestor cropped
posted: 19/08/20 00:21

Léonie Hampton commissioned to create new work in response to seeds in Exeter Museum, RAMM’s collection

Still/Moving's co-founder Leonie Hampton new commission from RAMM, will explore the Exeter museum’s collection of seeds and herbarium sheets in dialogue with her own photographs of seed experiments, the garden and family. Creating a ‘story about love, growth, family and the archaic wisdom of plants’ the new artwork will place Hampton’s photographs of living and growing plants alongside that of the collected, dried seeds in the museum.

See: RAMM Museum for more info

Mayflower 400 Leiden conference 26/08/20

Danny Reilly and Steve Cushion

The British North American colonies, including the West Indian islands were part of a larger, interdependent British Empire economy. Separate parts of the Empire had different interests but, at least until 1776, were dependent on the other colonies, while being subordinate to the perceived political, diplomatic and economic interests of the metropolis. In particular, there was a very close economic relationship between the New England colonies and the West Indian slave-based sugar economy; the Caribbean islands found it more profitable to devote all their land to sugar production and import foodstuffs and other staples, while the New England colonies needed an export market so that they could purchase manufactured goods from England.

When the Mayflower arrived in 1620, they did not bring any slaves with them, but they did bring the biblical justification for slavery. As Cotton Mather put it:

Slavery was established by the law of God in Israel and, regarding themselves as the Elect of God, New Englanders looked upon the enslavement of the Indians and Negroes as a sacred privilege Divine Providence was pleased to grant His chosen people.

While there was a shortage of labour in New England, the land was not generally suitable for the kind of cash-crop agriculture to which slavery is most suited. An early realization that the price of slaves was greater than the worth of their labour in New England led the puritan participants in the African trade to market their slave cargoes in the plantation colonies instead of bringing them home.

The first reliable reference to enslavement within New England is in 1638, when the governor, John Winthrop speaks of the return to Boston of Captain William Pierce in the Salem ship, Desire, which had gone to Providence Island in the Caribbean with a cargo including some captive Pequod Indians from the war of 1637 who he had sold into slavery there. The Desire returned with a cargo of "salt, cotton, tobacco and Negroes".

The first slave trading vessel from New England to Barbados landed in 1643 and the Eighteenth Century saw the rise of the New England colonies as slave-carriers rather than direct exploiters of slave-labour. This not only played a vital role in maintaining and enabling the expansion of the slave-based plantation system in the British Caribbean, but also underpinned the creation of a New England mercantile oligarchy through the fortunes which this commerce generated.

A division of labour developed amongst the Puritans in the North American colonies, with those who went to the Caribbean specialising in cash-crop plantations and those in New England supplying, servicing and trading with them.

Puritan religious principles were important, but these did not in any way inhibit the desire or ability to make a profit and slavery was the most profitable way to do so. In 1645, John Winthrop's nephew wrote from Barbados to his uncle, who was Governor of the Massachusetts Bay Colony, to say that the island's planters had bought "a thousand Negroes; and the more thay buy, the better able they are to buy, for in a year and a half they will earn (with God's blessing) as much as they cost".

Slavery in the West Indies became essential to the economy of the North American colonies. Once the fur trade had been exhausted by over hunting, New England had nothing that was wanted in England to trade for the manufactured goods they needed. However, they were able to find a market for their horses, timber, candle oil, flour, dried fish and barrels in the West Indies. In 1641, John Winthrop wrote "These straits set our people on work to provide fish, clapboards, planks etc. ... and to look to the West Indies for a trade". Richard Vines, a Puritan doctor from New England who was working in Barbados wrote to John Winthrop in 1647: "Men are so intent upon planting sugar that they would rather buy foode at very deare rates than produce it by labour, soe infinite is the profitt of sugar".

By the early 1680s, the West Indian trade had become the cornerstone of New England commerce involving half the ships entering and leaving Boston.

This trade, aided by co-religionist and family contacts, led to an ambitious programme of ship-building. By 1700, Boston and nearby towns were turning out 70 ships a year.

American-built ships not only dominated the West Indian and Coastwise trades, where they accounted respectively for 96 percent and 93 percent of the ships, but were even important in the shipping coming directly from Africa. On this route, they accounted for 44 percent of the ships, with English-built ships making up the rest.1

Of course the 'shipping coming directly from Africa' was full of enslaved people.

An important triangle went from New England to West Africa with rum, which could be traded for captives in Africa, who it turn could be exchanged for molasses in the West Indies to supply the rum distilling industry in New England. A slave, who could be purchased in Africa for 150 gallons of rum which cost £3 to produce in North America could be sold for between £30 and £80 in Barbados or the southern mainland colonies. These enormous quantities of alcohol had the added advantage, from the slave-traders' point of view, of destabilising epidemic of alcoholism in Africa that vastly increased levels of violence, broke down traditional relationships and thereby facilitated slave-taking. As Boston, Salem and Nantucket becoming the pre-eminent slaving ports in the region, distilling became the largest manufacturing industry in New England. By the Eighteenth Century, Rhode Island had thirty distilleries and Massachusetts had sixty-three, producing 5 million gallons of rum a year.

From the earliest European settlement until the final end of slavery, New England was enmeshed in slavery, albeit at arms' length. As Malcolm X said:

We didn't land on Plymouth Rock. The rock landed on us.

For more information about Danny and Steven's work please go to:

You can purchase a copy of their well written and illuminating book here: